The workshop will cover the history of the archive, strategies for searching the testimonies, and examples of how the VHA has been used in classroom teaching.

USC Shoah Foundation Executive Director Stephen Smith lent his expertise, and New Dimensions in Testimony, to a panel on technology at Jewish Funders Network (JFN)’s annual international conference in Atlanta on March 20.

A critical element in countering hate and inspiring respect is an understanding of culture and learning to value cultural differences.

On January 27, 2017, Holocaust Remembrance Day, the Holocaust Memorial Centre in Budapest debuted a new exhibition that draws on the Visual History Archive testimony of survivor Katalin Bárány.

Though still in its planning stages, the program will aim to humanize the experience of antisemitism by sharing firsthand testimonies of people who have been affected by it.

Path and co-author Angeliki Andrea Kanavou study how young men plucked from rural Cambodia were turned into obedient arbiters of genocide by the Khmer Rouge regime.

During a recent Twitter chat, #IWitnessChat hosted by Discovery Education, teachers shared how they are integrating the IWitness Video Challenge into their classrooms. Explore their insights and tips to help encourage your students to participate in the 2017 IWitness Video Challenge.

Virtual reality lab LightShed, in partnership with USC Shoah Foundation, MPC VR, OTOY, Inc., and HERE BE DRAGONS, proudly announce the world premiere of the first-ever Holocaust survivor testimony in room-scale VR, THE LAST GOODBYE, at the 2017 Tribeca Film Festival, presented by AT&T.

Through this set of resources, students learn about the immigrant and refugee experience, including specific definitions for migrant groups, the processes by which newcomers settle into their new home countries and the complex and difficult experience it can be.

Katja Schatte, USC Shoah Foundation Center for Advanced Genocide Research’s 2016-17 Greenberg Research Fellow, shared some of the discoveries she’s made in the Visual History Archive at her public lecture on March 7.